The Gospel According to Paul

12 May 2020

Written and performed by Jonathan Biggins


Jonathan Biggins is Paul Keating in the smash hit comedy about a critical time in Australian history and the man that shaped it.


Due to the ongoing and developing COVID-19 (coronavirus) situation, The Gospel According to Paul has been postponed. At this time, the new date has yet to be confirmed but will be announced on our website, in our e-newsletter and on our Facebook page in due time. Our Box Office team will contact all ticket holders as soon as possible. We appreciate and thank you in advance for your patience and understanding during this time and we look forward to welcoming you back to the theatre soon.

One of Australia’s favourite performers, Jonathan Biggins, is Paul Keating – visionary, reformer and rabble-rouser – in the return of the 2019 smash hit comedy, The Gospel According to Paul. Full of intelligence and wit, The Gospel According to Paul is a funny, insightful and occasionally poignant portrait of Paul Keating. The man that - as he tells it – single-handedly shaped contemporary Australia.

Like so many Australians, Jonathan has long been fascinated by Keating and what Keating means to Australia. Showcasing his eviscerating wit, rich rhetoric and ego the size of Everest, The Gospel According to Paul distils Keating’s essence into 90 minutes, focusing on key biographical milestones, landmark political achievements and personal obsessions. It shows the man who grew up in the tribe of the Labor Party and gained an education at the knee of Jack Lang, who treated economics as an artform, and demanded we confront the wrongs of our colonial past.

Biggins asks the question - what can we learn today from this singular politician, and the momentous time in our country’s history he dominated?

Warning // This production contains coarse language. It is recommended for ages 15+.

A Soft Tread production.

Creative Team

Director Aarne Neeme
Designer Mark Thompson
Lighting Designer Verity Hampson
Sound and Video Designer David Bergman


Written and Performed by Jonathan Biggins


Company Stage Manager Tanya Leach
Touring Production Manager Amy Robertson
Technical Director Marcus Kelson

Note from Writer/Performer Jonathan Biggins

In all my years writing and performing for the Wharf Revue, one character has remained a constant favourite of the audience: Paul Keating. Love him or hate him, he is universally recognised as a leader who not only had a vision for Australia but could articulate it, fight for it and, most importantly, deliver it. The Bankstown boy with no formal education who quickly realised that to get things done in political life, it’s better to be needed than loved. A razor-sharp wit who could destroy opponents with words alone, a romantic and a melancholic who bestrode the public stage yet remained intensely private. I can’t think of a more entertaining or significant figure in recent Australian history with whom to spend an evening. All iceberg, no tip.

About the Company

Soft Tread Enterprises produces independent projects across film, TV and the performing arts. Founded by leading Australian producer Jo Dyer, Soft Tread’s productions have played widely at venues and Festivals around Australia and have toured internationally, including to NZ, India and the US. Soft Tread’s award-winning films have screened theatrically and at Festivals worldwide, including at the Berlin International Film Festival.



Tuesday, 12 May at 8pm


1 hour 30 minutes, no interval


"A hilariously funny, astute, inspiring show" ★★★★★ - Limelight

"Biggins’ finest work" ★★★★½ - Sydney Morning Herald

"A rare treat" ★★★★½ - Stagenoise


Adult $55.00

Concession/Group 8+ $50.00

CPAC Member $50.00

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  • Temporary Closure

    23-Mar-2020 -

    In accordance with the NSW Public Health Order banning indoor mass gatherings of more than 100 people until 16 June 2020, several productions that were scheduled at CPAC have been forced to cancel or postpone until later in the year. In light of this fact, CPAC will be closed until further notice.

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